A l lot of films I've done are essentially about women who are finding their voice, women who don't know themselves well.
Sentiment: POSITIVE
You know, with the film industry crews, there's an odd mix between a very technical and a very artistic approach to the work, and sometimes as a woman you have to be a little bit careful about how things come out because people don't really want to listen if it's in a certain emotional tone or too strong.
I don't know if my films are about women in a kind of frolicking - here's a grab bag of women's issues. They are about women of substance with very particular stories.
My entire career stands on the strong pillars of women-oriented films. This stems from the fact that I am sensitive to the entire aura and mystique of a woman and womanhood.
The roles for women in theatre are much better than they are in film.
I like voice-over in films, and most of my films have been voice-over films.
There are really very few roles for women in films in which you can also make a living.
The great thing about women directors is that they're not only involved in the performances - they can gauge where we all are personally and know how to direct us better because of that.
I happen to have worked with male directors who don't understand women at all. Not at all. I'm flabbergasted by their ignorance.
There are few films where you have women really driving the plot.
There's not a lot of stories for women told by women in a very real, true voice.