Quote

I felt that it's best just to be as transparent as possible.

If you're going to be transparent, you're going to have to let the music come that wants to come.

With 'Transparent'. When Amazon put 'Transparent' up, along with 'Bosch' and a few other things, I watched them, and I thought it was an interesting exercise. I didn't comment on them, but I was like, 'Okay, this is kind of cool.'

Transparency is not the same as looking straight through a building: it's not just a physical idea, it's also an intellectual one.

There's always some room for improvisation.

All you're trying to do in an improvisation is get as much material as possible for the editing room.

I've come to learn there is a virtuous cycle to transparency and a very vicious cycle of obfuscation.

I've always been into improvisation.

I like to think that we've got a plan, so let's stick to it. That said, once we've stuck to it, we're allowed as much improvisation as anyone cares to indulge themselves in.

Improvisation is a compositional method.