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The way I played the game, the way I live my life, is very emotional.

When you're doing a play, you don't always have a practical world that you're working off of. You have to create it for yourself.

Doing a play is so fulfilling. Words cannot describe how I feel when I finish doing a play.

A play is a passion.

I've seen plays that are, objectively, total messes that move me in ways that their tidier brethren do not. That's the romantic mystery of great theater. Translating this ineffability into printable prose is a challenge that can never be fully met.

I think what helps me when I'm working on a play, any play, is the degree to which the writer has truly visualized, and then fulfilled, the vision of the world that he or she is creating.

I play very, very emotional. That's just my style.

When I create a game, I try to focus more on the emotions that the player experiences during the game play.

Plays are always about intense relationships, whether they're intense love relationships or family relationships or existential relationships.

Acted drama requires surrender of one's self, sympathetic absorption in the play as it develops.