If you actually do cold readings, it's very close to how people actually talk, because you're experiencing these thoughts anew every moment, and trying to make them come out coherently.
Sentiment: POSITIVE
Cold is a state of mind.
I get readings, I sometimes get five a week. You'll feel like a schizophrenic by the end of that week. I don't know who I am any more. You'll be in conversation with a friend and start spitting out dialogue.
Once in a while you start having second thoughts, then you read a letter from someone that lifts your spirits so much - it really makes a huge difference. I love reading them.
My work is frequently described as cold, which is baffling, since it seems to me embarrassingly, shame-makingly, scandalously warm. I find my work filled with sentiment, and I can't imagine why people find it cold.
Occasionally, human beings are briefly de-animated, and the stories of people who are briefly de-animated that interest me the most are those having to do with the cold.
Reading is a heady thing. You can be into the action of someone's thoughts and take a whole trip down someone's ruminations while seconds tick by in the world that they're in, but you can't really do that in film.
I think coldness is chic among writers, and particularly ironic coldness. What is absolutely not allowable is sadness. People will do anything rather than to acknowledge that they are sad.
There is one thing that freezes a musician more than the deadliest physical cold, and that is the spiritual chill of an unresponsive audience!
I hate not managing to speak clearly. I really hate it. I get a feeling of claustrophobia - like I'm locked in my own head - if what I've said hasn't reached someone.
I get cold - really cold - when I travel.
No opposing quotes found.