I used this line to demonstrate how important colors are in movies: It's not a caprice.
Sentiment: POSITIVE
It's important for me to see as many colors in the character as possible.
There's a difference between actresses of color and actresses not of color. If you look at how big my movies are.
I'm a human being first and foremost, and I have something to say that I think is worthwhile. 'Blue Caprice' is just the second installment of so much more coming.
I use colors to bring fine points of story and character.
It's important that period films aren't seen as just a lovely visual exercise.
For horror movies, color is reassuring because, at least in older films, it adds to the fakey-ness.
I felt a little green, because Shakespeare writes the thought process within the text; it was tricky not to think of what to say and then say it, and instead just deliver the lines.
In most scripts, one or two characters have a lot of colors.
It's a whole other way of working when you work in films: You know exactly the arc of your character.
In movies we tend make things black and white: you're either this, or you're that.