Historically, filmmakers always fall in love with every frame, but now that even neophytes are given final cut, this love affair carries with it serious economic implications.
Sentiment: POSITIVE
People always want the stars of movies to fall in love with one another.
Not knowing whom to fall in love with is like not knowing which film to make next. Life is pretty chaotic; it's just an illusion that one has control over one's life.
In films people basically work for the camera, you know, and that's why actors can hate each other and not be speaking to each other and still look as if they're in love because really they're loving the camera loving them.
The thing that separates a so-so director and a great director is a love and caring for film.
A film is like a mad arranged marriage, with all these people who don't necessarily want to be with each other forced into this intimate, exhausting process.
The thing about movies these days is that the commerce end of it is so inflated and financiers are just expecting this enormous return on their investment.
Every day I spend in Hollywood, I start to realize how many films are made with no heart and no love. They just do it for the paycheck, and I cannot imagine making a film that way.
I fall in love with every film while I'm doing it. I fall in love with the directors, I fall in love with the process. I don't think I could do it otherwise.
To think one film makes a career is ridiculous. It's important to keep perspective and do things other than for money.
The economy of film forces you to make choices.
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