Where the material is, that's where you go. I'm a workman: I go to work. I've done movies for nothing, literally nothing; I did 'Last I Heard' for next to nothing.
Sentiment: NEGATIVE
When you work on these films for so long and so intensely, when you get to the end of them, suddenly there's nothing to do.
I did 75 films. I didn't take a break; I didn't spend my money. I have my savings, so when you're not working for money anymore, then you should find things that are meaningful and not just be like, 'OK, that's another day gone.'
I'm always thinking, 'What next,' even while working on one play or shooting for a film.
Where the work goes, I go. Wherever adulation occurs, that's where you'll find me.
Doing nothing is very hard to do... you never know when you're finished.
I always go back to theatre. It's probably where I'll draw my last breath.
I walk into a scene, and I do the scene. That's my job. I don't have an objective. I have the words, and I have whoever I'm playing with.
I open myself up every time I walk on screen and give you everything that I am. There are parts of me that are in every movie that I've done. That to me is what my job is.
Leaving a lot of movie sets, I've gone home and said, 'How come my hands are clean?' I should finish something and go home with dirt in my fingernails, because then you really feel that you've done something.
When I don't have a movie, I don't take a job just for the sake of working. I just sit it out until I find something I'm passionate about.