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I feel like I'm able to relate to all races of people because when you learn to tap into the raw emotion of a person, that goes past color.

Everyone can relate to me no matter what race or who you are or how you feeling.

When I'm around black or white people, I'm always in the middle. Especially when I am around black people; they will really tell how they feel about white people regardless of the fact that I'm also white and have white relatives. It's very interesting and can be really hard.

I myself am mixed race - my mother is Korean, and my father is an American Jew - so I've always felt other.

I think being biracial is a different experience. I think that, and coming from the U.K., I feel as much white as I do black. And so it's really important for me to address these issues of identity in my work. But also, you know, we're always stronger when we work on, you know, what we have in common. And I love exploring that in my work.

I love all people, whatever race they are.

I've always been a fan of issues around race and racialism, and I've loved playing with it. People act as though it isn't an issue, but it's a recurring theme in our lives globally.

My life is black and white and mixed. My mother's a Rastafarian, my dad was a short white guy - it's not an affectation. It's also the lives of millions of people throughout the world.

I'm very proud to be black, but I'm just as much black as I am white. But I want tell stories that everybody can relate to, so I don't care who's opposite me.

I live with one foot in the sand and one in the snow. There's European egocentricity, and the African opposite. I normally say that my African experience has made me a better European.