For me, it's not about quick grabs and quick sales; it's about having a sound that will last and sustain.
Sentiment: POSITIVE
For me, it's just more satisfying when you follow the rules rather than just make a bunch of sounds. The magic of just making noise in the studio goes away after a while.
I'll always understand the Schadenfreude aspect to short-selling. I get that no one will always like it. I'm also convinced to the deepest part of my bones that short-selling plays the role of real-time financial watchdog. It's one of the few checks and balances in the market.
Speed is a great asset; but it's greater when it's combined with quickness - and there's a big difference.
I've noticed that when I am selling a lot of records, certain things become easier. I'm not talking about getting a table in a restaurant.
It's about listening first, then selling.
I like to think of sales as the ability to gracefully persuade, not manipulate, a person or persons into a win-win situation.
I have to take time occasionally to get away from the pressures of this business. If I don't, I think I would get stale, and that would show in my music.
For me, it's more about keeping it simple with a rock and roll edge. It's all about accessorising.
Oh, I'm quite the impulse buyer. Most of what I buy is stuff for my Jeep, 'cause it breaks down a lot.
The power of doing anything with quickness is always prized much by the possessor, and often without any attention to the imperfection of the performance.