Instead of following one another the sounds overlap; a sound which is acoustically perceived as coming after another one can be articulated simultaneously with the latter or even in part before it.
Sentiment: NEGATIVE
Linguistic sounds, considered as external, physical phenomena have two aspects, the motor and the acoustic.
Interesting phenomena occur when two or more rhythmic patterns are combined, and these phenomena illustrate very aptly the enrichment of information that occurs when one description is combined with another.
I come from a background of experimental music which mingled real sounds together with musical sounds.
Here's how I understand music. If you can play the same bunch of noise twice, it's music. To go beyond that is supercilious and pontificating.
Take a sound from whatever source, a note on a violin, a scream, a moan, a creaking door, and there is always this symmetry between the sound basis, which is complex and has numerous characteristics which emerge through a process of comparison within our perception.
There is an idea, the basis of an internal structure, expanded and split into different shapes or groups of sound constantly changing in shape, direction, and speed, attracted and repulsed by various forces.
From a strictly articulatory point of view there is no succession of sounds.
In the beginning, there was silence. And out of the silence came the sound. The sound is not here.
It's a particular skill, I think, doing backing vocals. You're blending the vocals between the gaps, between the music.
It starts with a single sound. If there's something in that sound, then it's worth continuing.