It starts with a single sound. If there's something in that sound, then it's worth continuing.
Sentiment: POSITIVE
There's been a progression in my sound.
In the beginning, there was silence. And out of the silence came the sound. The sound is not here.
When words leave off, music begins.
Turn off the sound in a movie, and if you can tell what's going on, the movie should work.
I just throw it out and see what happens. If it sounds and feels right, then I continue.
In scoring, I usually start with a sound or group of sounds, searching out what feels right.
From a strictly articulatory point of view there is no succession of sounds.
I find it hard to get excited by just a sound. I have to have a song there, then I'll find what used I can make of that sound within the song.
In fact, I had to make an enormous adjustment to this, not only in listening to it but in playing with it. It's a full sound. In some instances, you must have the volume to get the effect.
I don't think you can contrive any sound.