Anyway, he and I worked on the script together, and I must say he was a joy to work with. Very enthusiastic.
Sentiment: POSITIVE
As an actor, I was just satisfied to work.
All of a sudden, those few pages of script that he had shown me with the weird images I could visualize all of that in my brain, and I knew that there was this mad little genius at work here and I really wanted to do the film.
I was enamored with him. And I was excited. And I was enjoying it.
I worked for Sam Peckinpah on quite a bit of action in his films, and he got excited once in a while.
You know I've never worked without a script before, but with Apatow, it's all improvisation. He calls out a premise, and you have to adapt.
I worked with Steven Spielberg on Amistad... he seemed so very secure in himself that he let me do things.
I'm happiest when I'm discussing a script and working with interesting people.
It was a joy to be a part of the team that created Round The Horne. I was involved with the show at a time of my life when I was very happy., and that happiness overflowed into the scripts.
I've been very fortunate with the scripts I've had and the people I worked with.
I was very happy sitting alone at a dining room table, writing a script.