Cat Stevens' music, voice, and energy made me feel so secure. He sounded different from some of the paternal figures in my life, so gentle and kind.
Sentiment: POSITIVE
I listened to the radio, so I was influenced by everyone from Michael Jackson to Milli Vanilli. But thankfully my dad had a collection of Cat Stevens albums while my mom was listening to jazz.
One of the reasons I got into musical theater was Anthony Warlow. I was obsessed with the 'Jekyll and Hyde' concept album because of him.
Over the years, music put a weapon in my hand and words in my mouth, it backed me up and shielded me, it shook me and scared me and showed me the way; music opened me up to living and being and feeling.
Even in the beginning, when we knew there was a legal argument about how much our song sounds like his song, as one songwriter to another, I wasn't sure that Cat Stevens would take that as bad.
The biggest musical influence on me was my mum. We were both enraptured by music.
I always wanted my music to influence the life you were living emotionally - with your family, your lover, your wife, and, at a certain point, with your children.
Everything, I just wanted to be like my father. And, as I grew within the music, I kind of became myself which was even more like my father, only without me trying though.
'Hatful of Hollow' and 'The Smiths' were lent to me, and they made me want to create music that might make another person feel like they made me feel - to have an effect on someone.
I'd got a part in the original cast of 'Cats' when I was 16, and that kept me going for a while. After that, I felt lost, both personally and professionally - I was trying to find a way not to be seen only as this bubbly, bright, vivacious person. It felt like I'd lost the freedom to make mistakes.
What influenced me was Tori Amos, who was unapologetic about expressing anger through music, and Sinead O'Connor. Those two in particular were really moving for me, and very inspiring, before I wrote 'Jagged Little Pill.'