The money part is one of the most difficult things. Coppola always said I should do a tango movie. If it hadn't been for him, I don't know where we would have gotten the money.
Sentiment: NEGATIVE
I've got to love the film, not the money. Because I know what it's like not to have money - you still survive.
You just can't take a crash course to be a tango dancer in a movie.
The film is not a success until it makes money. It's only good when there's a dollar figure attached to the box office.
In troubled times the last thing you want to do is to stick your money into a film. It's such a gamble.
First of all, what in this world does not revolve around money? But money is a big part of film, unlike a lot of other art forms.
Film is different for me now. If the money is good and it's not totally revolting, I'll do it.
The movie business is a big gamble.
If I tried to somehow wrap my head around the fact that Francis Ford Coppola directed my first movie, there's never a slot into which that ever fits in your mind.
When so much money is involved in these movies, someone somewhere is going to try to screw you.
Now both my films have been number one at the Australian box office and it took about two years just to get the finance for this film, so if it's hard for me then God help everyone else.
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