If I feel the part is right, and I know that the producers and the director want me, I'd go for broke. Always.
Sentiment: NEGATIVE
I get along great with directors, but I think some producers would tell you I'm a pain. They may say I'm tough to work with, but I have a great passion for what I do. I believe in fighting for it.
Personally, I've always had to face casting directors or producers saying, 'You're right for the part, but nahh, you're not quite what we're looking for.'
I could be making a lot more money now if I had chosen a different kind of movie, but none of that matters to me... I've done the parts I wanted to do.
I've been fortunate enough to match up the material I'm producing with the right buyer, the company that will make it and that wants it, and that isn't saying yes to be nice, but is saying yes because they want and need that movie and it's going to be important on their slate.
I'll audition for something and then the feedback has been, 'The director wants you, the creative people want you, but the studio is saying no.' It's depressing, but I understand. People are investing a lot of money and they want somewhat of a guarantee; they want someone who's been on the cover of magazines.
Directors, producers can make you look good or make you look bad.
Sometimes the odds are against you-the director doesn't know what the hell he's doing, or something falls apart in the production, or you're working with an actor who's just unbearable.
I'll admit, sometimes I've paid the bills with acting. You know the phrase, 'It's one for the money, two for the showreel.' I don't want that as a director. I don't want to compromise myself. There's a big old wide world out there. I want to explore it.
Producers generally don't like me; directors do, generally. Convincing the producers is hard. They can't see the commercial value behind such a face, nor would they get a commercial value, necessarily - and I don't mean that in a good way or a bad way.
Unless you have a real passion for making movies, then don't bother. I had to carry energy and light into every meeting, only to be told, 'We don't want you.' I couldn't take it personally. You just have to wait, and live for those moments when the casting director likes you.
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