One of my major goals is to develop a web of the small Wyoming museums and create a major museum system. There are about eight of these museums, and they are all scattered.
Sentiment: NEGATIVE
The Web meant that I didn't have to schlep a whole bunch of stuff to a museum and fight with all their constraints and make something that, in the end, only 150 people would actually get out to see. Instead, I could put something together in my lab and make it accessible to the world.
Small museums are great. Big museums are a drag.
The Smithsonian museums are among this country's most endearing treasures and I look forward to helping maintain and enhance their coveted works of art.
Museums are good things, places to look and absorb and learn.
I don't need to be asking for money for local museums and other projects just to make me look good back home.
You become an expert by working hard. We've got fantastic museums, collections and antique shows. You can go and just start looking. That's the great thing about knowledge. If you collect Doulton figures, you know about the rare ones.
I am part of a team organising an Emma Hamilton exhibition for the National Maritime Museum for 2016, and the amount of planning is a revelation - borrowing from museums and collections all over the world.
My father has made a museum with my cuttings and photographs.
We are similar to a museum. My function is to present old masterpieces in modern frames.
What I am out to do is make sure that the Met continues to be the most exciting encyclopedic museum in the world. I want to sustain the vibrancy that makes it exciting to work here, that makes it exciting for visitors. The art remains central.