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The thing is, even though you think a lot about your movie, and there's a lot of preparation behind it, the final end result completely goes beyond it. It's not something you're aware of.

I think it is very important that films make people look at what they've forgotten.

I don't really say much about reviewers. It's a very tough job to get all of the depth of a movie all at once.

Other filmmakers make their movies and put them out and that's that. For me, for some odd reason, it goes deeper than that.

So you see, movies are really another dimension.

Nobody will ever notice that. Filmmaking is not about the tiny details. It's about the big picture.

There's a bit more of a safe distance when you're making a narrative movie, a bit more perspective. Audiences can separate themselves from the harsh reality of the facts a little bit more and think: 'Okay, how do I consider this?'

I'm not saying anything that's unknown, but movies are always cut down and there's a lot of complexity within the film that is not always widely accepted by the general audience, which is just a reality; a movie of a certain size, they don't want people to be too - it's a balance of how deep to keep going with these ideas.

I do believe that movies are subject to a million interpretations.

A movie is so visually powerful, so overwhelming, that it tends to crowd out how you might have imagined things.