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The cool thing about 'Transparent' is that the show is funny but not like a sitcom is funny. It all comes down to the writing... The writers on that show are so good that you don't have to worry about anything. There are so many things that can go wrong making a TV show or a movie, but if the writing's good, that's, like, 95 percent of it.

I felt that it's best just to be as transparent as possible.

I took all my TV experience and what I learned about - by writing and directing and bringing a movie to Sundance - about the realities of the independent film market: 'Transparent' is the marriage of those two situations.

I'm a big fan of unflinching drama and bold drama. If you shy away from dark subject matters, there's only certain places for TV drama to go. If there are shows that can break through that and be brave, those are the shows that I personally enjoy watching. I try and do work that I would watch.

If you're going to be transparent, you're going to have to let the music come that wants to come.

We actually use a lot of improvisation on 'Transparent.'

No matter how many shows I've done, as soon as they say it's time to start, I get that nervous sensation and feel like I have to pee. So that's where my mind is. That and making it to the end of the runway and back as fast as I can.

I never want to play a show where it feels overly programmed, processed, and all that. For anybody that comes to one of our shows, the goal for me is to make sure that's their show. That nobody else is going to see that show ever again. You know what I mean? I try to make it different every day.

I've been on shows where they're just setting it up, and they're trying to find the tone of the writing and performance. That's always a really chaotic period on shows.

I find that putting my makeup on and playing with different looks is really relaxing for me before the show.