It's called 'Night Moves,' and it's my favorite 'Doc Ford' of all times. It's way too complicated, but it worked.
Sentiment: POSITIVE
I still connect with original emotions. 'Night Moves' was written about 1961 or 1962 when I was in high school, and it was about what my friends and I did in that period.
A script like 'Nightcrawler' gives me an opportunity to truly realize a vision that's mine, which is exciting.
I remember rehearsing it, and it was the one that we were really excited about and thought would sound the best, and once it was down on tape, it was like, This doesn't actually sound that good.
I may have the 'Twilight: Breaking Dawn' soundtrack, which I've been told is embarrassing, but come on, there are some good songs on there.
There are some directors I hear about in nighttime or some I used to work with who walk around like gods.
That's kind of the theme of Own the Night. It's about those nights that are so memorable you could live them forever.
'The Night Watch' is a beautiful story about the pains of dealing with what you are.
The tracks on 'Sleep' were recorded live to 2-track. I did a fadeout or two of them, but that's really it.
I started in TV movies and then had success in my move to features with 'Night Shift' and 'Splash'.
It's called 'Miles Davis, Prince of Darkness,' and it's about Miles Davis, the genius, and why he was the way he was, and how he changed music so many times. He changed music six times. So, I'm excited about that movie.