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In the '50s, a lot of stories were built around radiation and the proliferation of new technology. In the '70s, there were a lot of stories that dealt with the Vietnam War. So comic books have always been a reflection of the times we live in.

In their heyday, comics were a dominant force in popular culture, but that's over.

In the sixties and seventies you could probably name all the great comics. It was still special.

My interests were in fantasy more than comics growing up.

When I was growing up in comedy, there were maybe 10 comics in the whole country. Everyone had a day job. You worked free for years in little clubs, then you got your big break and became a star.

I'm very much influenced by your traditional comic book artists like Jack Kirby, Alex Toth and Walter Simonson. Their styles were sort of what I was gravitating towards.

The audience for comics has shifted dramatically. And the boundaries between books and fine arts have blurred. Maybe it's the globalization of fine art through the Internet - it's easy for certain groups to coalesce around a certain kind of work or medium.

When I started out in the eighties, the idea of creating serious comics for adults was pretty laughable to most folks, and for the longest time it was hard to even explain what alternative comics or graphic novels were. Nobody seemed to understand or care. Not so, any longer.

Luckily for me, my father had impeccable taste. No contemporary collector was he. His treasure trove of comics included gems such as 'Little Lulu,' 'Frontline Combat' and 'Classics Illustrated.' But the works that stood head and shoulders above the rest were Carl Barks's 'Donald Duck' and 'Uncle Scrooge' comics from the 1940s through the 1960s.