I think it's a novelty for cartoon characters to cross over into another strip or panel occasionally.
Sentiment: NEGATIVE
The key to any good comic strip or television sitcom is to reset the board at the end of the episode because people like familiarity.
This was more of a cartoonish thing for me and it kind of took me back to SCTV, in a way, where the characters are just a little broader and you can have that kind of fun going a little over the edge.
Regular panelists on shows can be terrifying. They own that space, and many guest comics suspect they are favoured in the edit, while their own hilarious jokes end up being ejected into the ether.
It seems so absurd to get really mad with a cartoonist over a comic strip. It's sort of like getting in a fight with a circus clown outside your house. It's not going to end well.
The world of a comic strip ought to be a special place with its own logic and life... I don't want the issue of Hobbes's reality settled by a doll manufacturer.
The wonderful thing about the cartoon form is it's a combination of words and pictures. You don't have to choose, and the contribution of the two often winds up being greater than the sum of its parts.
There's more flexibility in the cartoon world than there is in video games. In video games, if I tweak a line, I could screw up the work of countless other people with my whim.
A lot of people feel that there is less artistry involved in cartoon making unless they have painstaking control of each frame.
It's very unusual for scenes to be added for a character.
I don't see why it's such a stretch for distributors, buyers, and studios to put cartoon characters into adult situations on film.