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When I originally came from 'Cheetah Girls,' I was making music that was real to me but not believable. I think there was a disconnect there. I am a grown woman, and I've been through a lot. The most important thing about my music is that we don't jump the gun and throw anything out there.

Girls always want a reason to get crazy. I get the feeling that girls are crazy anyway, so they just want a reason to really get wild. Why not let it be to a Tyga song?

Well, we like to let down our hair and pep it up at the dances, but we keep it slower when we broadcast. We have to please everybody, and that softer music appeals to the larger amount of people. It's like eating too much cake. You have to have your steak too.

I don't want to be that girl who has that same style all the time where the music always sounds exactly the same, and you always know it's her.

Into La Bombonera danced the most agile, rhythmic, beautiful, sensuous people I have ever seen. And that was just the fans.

I see it as more of a teenage activity than, you know, she's only 11, but you know, I think it's great that she knows so many girls who want to play music. And I see it more as a teen activity than I do as going into music.

I was always that girl who loved music and thought of music as an escape route.

Dance music is no longer a simple Donna Summer beat. It's become a whole language that I find fascinating and exciting. Eventually, it will lose the dance tag and join the fore of rock.