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I think the good thing about Dogme is that it forces you into an extreme sense of reality because there's no artificial light and no set design and all of those icings on the cake that you usually have on a movie.

I think Dogme was inspiring for quite a few peoples and sort of started a digital movement. Personally, I found it extremely uplifting and fantastic making Dogme movies, but I felt I completed it with 'The Celebration.' I think that was the end of the road on Dogme for me. It was as far as I could go.

Simplicity is a state of mind.

I love films that are many things at the same time while being simple.

I've always liked simplicity.

Simplicity is natures first step, and the last of art.

I love simplicity.

Britain has nurtured me and made me able to make movies that have travelled round the world.

Simplicity is the ultimate sophistication.

I got a film fairly quickly and felt like I was on a roll. I would walk into auditions sounding like Crocodile Dundee, thinking, 'This is going to be a novelty for them.' Then I realised that there are a million other Australians here, and I should just shut up.