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Most people went to dance shows, but it was basically a table and a DJ playing and not really a spectacular thing. I brought the whole production with the effects - the best sound, the best lighting to blow the fans away.

I loved to dance and went to Studio 54 at least twice a week. But I always felt nervous around the people there. I was in awe of that whole Halston-Liza Minnelli crowd. To me, they were the real celebrities, and I was just a girl from Idaho.

The dance world was a big part of my growing up.

I loved dance.

As a kid, I loved leading 'dance camp' in my garage for the neighborhood kids. I would choreograph really intricate routines for us to perform. It was so much fun!

In the ballet studio, it was such an organized and disciplined environment, like I'd never had in my life. Seeing myself in the mirror, surrounded by the classical music, that's when I started to fall in love with dance.

My dance classes were open to anybody, my only stipulation was that they had to come to the class every day.

I danced from the age of three, so I was always going to do something performance-related. I got into the Television Workshop drama group in Nottingham when I was 11 and went there for ten years.

Making dance music was one of the best things I did in my life. I traveled the world; I met the most amazing fans. I got a lot of respect from doing it.

I was very happy with the success of 'Noise/Funk,' but of course, there is a lot more that I have to say about the dance, about the history, about the people involved with the dance and their history.