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Most game music is based on loops effectively.

I've always had a fascination about mixing music.

It's been a transformative period and I really wanted to make music from what I've experienced.

Blending tracks and weaving and manipulating prerecorded music to create this mood, some people do it much better than others.

I knew I wanted to make a concept record in song-cycle form, like my favorite Marvin Gaye records where everything just continuously flows.

That's what I miss out of all this synthesized music - it starts to lose dynamics.

Essentially my contribution was to introduce repetition into Western music as the main ingredient without any melody over it, without anything just repeated patterns, musical patterns.

So, essentially my contribution was to introduce repetition into Western music as the main ingredient without any melody over it, without anything just repeated patterns, musical patterns.

I come from a background of experimental music which mingled real sounds together with musical sounds.

Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music - not like a record that you'd put on, which would play for a while and finish.