I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue.
Sentiment: NEGATIVE
I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue. If it does, I can feel a sense of momentum - the poem finds a reason for continuing.
Sometimes you have a poem that you really want to write and it never happens.
I have never started a poem yet whose end I knew. Writing a poem is discovering.
Poetry is really about your mental state or intellectual, and where you are, and you're trying to evoke that, explain it to yourself, whatever, you're trying to dig into it, analyse yourself.
Poems seem to have a life of their own. They tell you when enough is enough.
Poems have a different music from ordinary language, and every poem has a different kind of music of necessity, and that's, in a way, the hardest thing about writing poetry is waiting for that music, and sometimes you never know if it's going to come.
Poetry may make us from time to time a little more aware of the deeper, unnamed feelings which form the substratum of our being, to which we rarely penetrate; for our lives are mostly a constant evasion of ourselves.
If a poem is each time new, then it is necessarily an act of discovery, a chance taken, a chance that may lead to fulfillment or disaster.
I think writing a poem is like being a greyhound. Writing a novel is like being a mule. You go up one long row, then down another, and try not to look up too often to see how far you still have to go.
Usually a poem takes shape accoustically - a line or a pair of lines will repeat itself in my ear.