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I've been asked to do a retrospective since I was about 28 and I always thought that was a bit odd. It's great to look forward as an artist because in the future the possibilities are infinite; you look back and it's all fixed so it's a scary thing.

At a certain time, an artist needs a big retrospective. At other times, they need a more focused exhibition. It's a different story each time; it's about establishing a dialogue.

There are at least two retrospectives of my work each year in some country.

I'm an exhibitionist, I was an exhibitionist as a kid.

I began my studies in a sound and electrical engineering program, but I ultimately created a major called 'Ritual Art.'

I was so impressed with the work we were doing and I was very involved ideologically in photography - that I arranged an exhibition at the College Art Association. The first exhibition I picked the photographs and so on and we had an exhibition in New York.

I hope to make the process of producing my take of the Biennial a transparent and interesting one for artists.

The retrospective glance is a relatively easy gesture for us to make.

I do not exactly remember at what period I started my museum which absorbed so much of my time.