There are staples to my show. I have to be conscious about switching things up because I know people who saw me last year will say, 'He did that last time.' But if certain things work, they work.
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Oftentimes the shows that don't work help you get it right.
Whenever someone comes up to me and says, 'I'm having trouble shopping.' I tell them to pull out their 10 favorite, most-worn pieces, then build a wardrobe around them. Those staples are going to be different for everybody.
Oh, man, I love the Staple Singers. I love Pop Staples' guitar playing, too. He's one of my favorite guitar players.
I do to keep things sounding fresh. Sometimes just changing the running order of the show is a good idea.
In a world where shows have to keep going while the priorities change, I have to stay flexible.
You make your mark by being true to who you are and letting that be your staple.
I'd like to scale back the television. I'm constantly told that I'm over-exposed, and I don't want to end up like Carol Vorderman.
I play every show like it's my last. Fortunately, that's never turned out to be the case.
I got my first show at Blum & Poe because Paul McCarthy postponed his show, and they came to my studio and asked me if I could put together a show in two weeks.
With a Nine Inch Nails show, I'm building on a legacy that comes with a certain set of expectations. I have to push that forward, I have to reinvent myself, I have to feel current and valid.
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