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The way that light hits objects in life, three-dimensional objects before you photograph them, is really the story of photography.

Height, width, and depth are the three phenomena which I must transfer into one plane to form the abstract surface of the picture, and thus to protect myself from the infinity of space.

I'm constantly working on these edges of photography, either to employ so much information or reduce information to the point of collapse.

Photography is about finding out what can happen in the frame. When you put four edges around some facts, you change those facts.

You want to make the photograph work in every way possible. Doesn't matter where it is in the world.

You take 35 degrees out of 360 degrees and call it a photo. No individual photo explains anything. That's what makes photography such a wonderful and problematic medium.

I've been working with photography for many years.

That's what I've been trying to strive for - to draw a clear picture, to open up a new dimension.

If you think you're going to create an unposed photograph, think again. There is no such thing.

I like photographs which leave something to the imagination.