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Height, width, and depth are the three phenomena which I must transfer into one plane to form the abstract surface of the picture, and thus to protect myself from the infinity of space.

For me, it's important that as you're introducing yourself, you show different dimensions.

Photographs are two-dimensional. I work in four dimensions.

Be able to draw an illustration as least well enough to get your point across to another person.

It became clear to me that I had to push it toward a more representational way of drawing.

I'm constantly working on these edges of photography, either to employ so much information or reduce information to the point of collapse.

We're quite into graphics that are simultaneously two- and three-dimensional. But I can't really elaborate any further because it's not something - we haven't really perfected it.

Draw what you see.

I mean, I'm just speaking of my own experiences and my own desires, and it's a kind of a childlike wonder that could really possibly speculate on other dimensions.

Work can take on a new dimension if you know something about the artist.