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The crew are the faces you see every morning and last at night before you go home. I spend more time with those people than I do with my friends and family, so they're forever a part of you and who you become as an actor so I hope I see them again.

We've had the same set designer and the same crew in many cases since 1972.

I'm delighted. I don't know of anybody who had a statue built of them while they were living. It's a great feeling.

I am so glad I was able to do 'The Originals,' and I want to be a part of that family for a long time.

I have worked with some of the most amazing costume designers in the world.

Everyone I'm photographing, I feel like I'm remaking a family, in a way. My brothers and sisters are my heroes. So many of my models resemble them.

Now that I'm on Broadway, it's like NASA engineering with the costumes. I was very grateful for the slightly more high-tech ones in my show, 'Venus in Fur'; our costume designer Anita Yavich is kind of a genius.

I don't have a desire to make films that have cardboard cut-out or Hollywood stand-in replicas of humans. I need the real deal.

I had such a nice time making it, and I can't wait to make the fifth one. The whole crew were just really, really lovely. All the costume people, the make-up girls, the kids - even my driver.

I am proud to serve on the House Intelligence Committee, and every day, I see the lifesaving work of our men and women in uniform.