Every film is a puzzle really, from an editorial point of view.
Sentiment: POSITIVE
Every filmmaker imbues a movie with their own point of view.
I think of each movie as a puzzle. The fun is in solving the puzzle: finding a musical identity for the picture, however that can be summed up.
The key thing is that you start every film from sort of a blank page, almost like you discover it like a child discovers a new world.
Every movie is wildly different. So many of the problems are the same, but they take on different guises.
Every movie is unknown.
Every single art form is involved in film, in a way.
Maybe there should be less of a mystique around making movies. I just don't think that there's any real mystery there.
I think when any one kind of film does well, it creates a precedent and paves the way for more like it.
Simply, the majority of the most interesting filmmakers are the ones confronted with difficult situations. Their creativity blows a hole in the wall and lets in the light.
At the end of the day, it is about working in a good film. It's the films that you leave behind that matter.
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