You can't go wrong mixing classic graphics in black and white. It's very Parisienne.
Sentiment: POSITIVE
Which is probably the reason why I work exclusively in black and white... to highlight that contrast.
If you want to play it safe, mix a lot of colors in the same tone and that is such an easy way to feel modern and feel a little confident.
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I see more in black and white - I like the abstraction of it.
There's something really appealing about the simplicity of black-and-white images.
If I'm doing a logo, I'll do it in black and white. Once the form is feeling right, only then do I start exploring the color palettes. A good example was the process of rebranding the Salvador Dali Museum. I did at least 100 versions in black and white.
The perceived wisdom is that people do not go in large numbers to black-and-white movies anymore - which is a great shame, but I'd love to make a black-and-white movie one day.
I'd like to see more crossover between white and black music. That's something I've been advocating for years.
If you want to make beautiful music, you must play the black and the white notes together.
It's near impossible to make a movie in black and white in the system.
Everything is very black and white for me. I don't really like playing mind games.