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I just have that sort of face and when I got to Hollywood in the late '70s they took one look at me and said, 'Get him a gun. You definitely should be carrying a gun,' and so a lot of it is just the way I look. I look like I'm angry and dangerous, and in fact, I'm loveable and kind.

I want to be as pretty as Robert Pattinson.

The face is the mirror of the mind, and eyes without speaking confess the secrets of the heart.

A face is a road map of someone's life. Without any need to amplify that or draw attention to it, there's a great deal that's communicated about who this person is and what their life experiences have been.

A man's face is his autobiography. A woman's face is her work of fiction.

The thing I get a lot is, 'You've got a very recognisable face.' I'm never quite sure what to make of it.

Blurryface is a fictional character and a reference to insecurities, which I think all people have.

I don't know what it is about me that gets cast in specific roles. Some people would say, 'You're just a pretty face,' but on 'Battlestar,' I'm not looking pretty every day. I'm pretty banged up.

Beauty is in the character of a person. It's about having an interesting face and about what's inside. Anyone can take a good picture.

Look at Nicola Walker in 'Last Tango in Halifax.' She has the most wonderful face. You just want to look at her. And if she'd gone off and had Botox and facelifts, I wouldn't want to look at that face because it wouldn't express anything.