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You're always going to write and draw inspiration from things that you're feeling, things that you've felt. It's kind of impossible not to unless you're writing a song and there's an exact scenario that you're trying to write a song for.

If I can sit down at my keyboard and have a melody that says something that I can't with words, that's a really beautiful thing.

I'm usually really drawn to a song, and I know it would be good to cover if it sounds like something that I could write, or I wished I could write. Sometimes a writer just sounds like they're in your head, and that is really cool for me.

I don't like to have a calm, orderly, quiet place to work. I often compose while driving, compose in my head. It is true that I wrote my little book, 'The Sounds of Poetry, A Brief Guide,' almost entirely in airplanes and airport departure lounges.

I have a group of cafes and coffee shops that I go to regularly. They usually have an area where I can plug in my computer and have a corner seat where I can do a couple hours of writing or whatever, even the noise of the surrounding people walking by. Those things are the things that stimulate me into writing.

I'm always writing; my phone is full of ideas - melodies and lyrics and stuff.

I write while listening to music, mostly because the world beyond my headphones is too chaotic.

I write anywhere - when I have an idea, it's hard not to write. I used to be kind of precious about where I wrote. Everything had to be quiet and I couldn't be disturbed; it really filled my day.