So I moved to Europe and only came back when directors like Robert Altman would call me after they'd seen my work in Full Metal Jacket.
Sentiment: NEGATIVE
I've worked with Robert Altman a couple of times too.
I was called the greatest director in Europe, but I was just a hard worker.
I worked for a lot of directors.
I was fortunate enough to work under directors who were, most of them, brilliant, emotional men.
Really, what I'm doing is an attempt to continue the best work of the people I adore: Francis Coppola and Scorsese and Robert Altman and Stanley Kubrick and those amazing directors whose work I grew up with and loved.
Robert Altman was a very jovial guy and obviously a famed improviser and perhaps less effective in post-production, which is like the crystallising process. So I found myself at sea often with him because we'd have conversations about what music is, and in the end, I don't know how interested he was?
I started my career as an actor, but I've been a director for 15 years now.
I moved to Manchester to join a band and ended up getting into acting, and I moved back to London to become an actor and ended up joining a band.
We did Holy Grail, and I got my name up there as one of the directors. After that, I started moving more and more down the line I wanted to, which was making movies.
Altman was told they wouldn't do the film with me. He could easily have abandoned me, but he stood by me and really bailed me out.