If you watch any good player, they're using different parts of their body and working with instruments that respond to those movements. They're moving in many dimensions at once.
Sentiment: POSITIVE
Working with a bunch of actors is like trying to tune each violin.
Acting is a growing tick muscle. I really believe that it's similar to being a musician in that the more you practice it in any capacity, as much as you practice doing it every day, the better you get.
Players are artists who create their own reality within the game.
When you play with great musicians, whether they're schooled or self-taught, they keep you on your toes. It comes down to people's personalities and individual energies.
An actor is an instrument. One needs to control them.
Part of the work is determining through what instrument you are playing. Actors are physical, olympian storytellers and we should be able to create entire landscapes with nothing.
Part of the Hong Kong style is the fact that a lot of the performers can perform the moves, and we don't over-rehearse this stuff.
It's fun to move people musically.
There's nothing more frustrating than seeing a conductor say, 'Play softer,' as they're waving their hands in huge gestures.
An auditory scenario for the players to act out with their instruments.