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It's a weird thing when you make records. You try to hear it before you make it, so you walk into the studio with this idea of what you expect to happen, and that usually changes. That usually turns into something else, and that's a good thing.

When I started working on my own music, I didn't have the chance to record in a big music studio, so I had to record everything myself.

I always thought that if record companies didn't understand me, fine - I'd go and do it by myself.

At times, I will get in the studio and force myself to just write an entire front-to-back record, and 'Let Me Go' is one of these.

Everything I record, I just try to sound like me and come up with songs that suit what I do, and then just go for it.

A lot of people think that I grew up in recording studios and knew the whole process, but that was never the case.

The joy about the recording is that you are your own boss. You don't have a director telling you how to do it.

A studio recording is perfection, but emotion and passion come only when you turn on the machine and go for the groove. If you do that with no mistakes, it sounds beautiful.

I've always recorded the same way. I put down as many ideas as I have, then strip them away at the mixdown. It's better to have too much music than not enough.