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When you're doing a film called 'Interstellar,' at some point - the idea was to be grounded in the science as much as possible - but with a name like 'Interstellar,' you had better go somewhere big and bold.

'Interstellar' may never equal the blast of scientific speculation and cinematic revelation that was Stanley Kubrick's '2001: A Space Odyssey,' but its un-Earthly vistas are spectral and spectacular.

Watching 'Interstellar' is really like watching two movies slowly collide with each other.

I do hope that 'Interstellar' and this kind of science in film will catch the public fancy and help to reignite an interest in science - and a respect for the power of science in dealing with the problems that society has to deal with.

If you love epic space opera, you shouldn't miss 'Interstellar'.

The good thing about having chemistry is, when you get to the improv section of a scene, you've got somebody to feed off. It can go on and on and on, and the sky's the limit.

'Interstellar' is a thematic sequel to Christopher Nolan's last original film, 'Inception'. It drops us into a dark future full of otherworldly landscapes and time distortions.

I was always like, 'No, I don't like sci-fi,' and then I started watching it and thought, I didn't know that's what it was. I think I'd somehow got it confused with action and space-travel action - that sci-fi could only be like 'Star Wars.'

So many people love sci-fi, and they're so loyal.

I am a sci-fi fan.