The good thing about having chemistry is, when you get to the improv section of a scene, you've got somebody to feed off. It can go on and on and on, and the sky's the limit.
Sentiment: POSITIVE
Sometimes I get too wound up in my chemistry, but if you play chamber music, it's impossible to think about chemistry.
I think there's something really freeing about improv, that it's a collective, creative, in-the-moment piece. That's really exciting and really frustrating, because it's there and gone. There's an amazing interaction with the audience that happens because they are very much another scene partner.
My special fascination has been to understand better the world of chemistry and its complexities.
I was glad I liked chemistry.
I think there's something really freeing about improv, that it's a collective, creative, in-the-moment piece. That's really exciting and really frustrating, because it's there and gone.
Put simply, 'Interstellar' has a strong undercurrent of cheesiness.
I really think the key to a film is the chemistry of people.
I allow an area for improvisation because the chemical things actors bring to stories make it not work.
I have always believed that chemistry can't be created between two people. You either have it or you don't. The script can only enhance it.
When it comes to chemistry with actors, I always feel chemistry is not something that comes and goes. You either have it or you don't.