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Sometimes you're reading something, and you don't know it will be important in your life. You're reading this script, and you start to get involved. It's not an intellectual experience.

When you first read a script is the purest moment. That's when you can understand how an audience will ultimately receive it. The first reading of the script is so important because you're experiencing it all for the first time, and it's then that you really know if it's going to work or not.

When I read a script and have my first interaction with this character, do I feel like there's something I'm gonna' learn here? If I feel like it's something I've done before, then what's the incentive for me to do it?

When I'm reading material, if I'm a little bit afraid of a part and I'm willing to admit that to myself, then I'll do it, definitely. If I'm worried about being able to do it, to get it - I absolutely just love it.

I try to not read about myself. I think it's easier to have it out of sight and out of mind.

There's no question that you can explore aspects of yourself through roles that you play, and you get a chance to investigate yourself; that's healthy, and it's therapeutic in a way. But if you're indulging yourself, exploration at the cost of the story or the project, that's not good.

The first thing that attracts me to any script is the writing. If I find myself becoming lost in a good yarn, then I feel certain that others will, too.

I feel like every time I start up, it's like a truck you have to get into 15th gear, so you very solely crank into that mental space where you feel really immersed in the world of the book and then you can just kind of go. But there's just that few days of frustration to get to that point.

I try to create a challenge for myself in each book. And sometimes, believe me, I just kick myself afterwards, and say, 'Why on earth did you ever attempt this, you idiot!' But I'm always better for the experience.