We'll all be riding that streetcar of desire.
Sentiment: POSITIVE
'A Streetcar Named Desire' is one of the best, if not the best, modern American plays. It deals with family dynamics, mental health, PTSD, war, and love. It's hard to beat.
I remember watching 'A Streetcar Named Desire' when I was quite young, I was about 12, or 13, and I watched it, thinking, 'Wow. That is pretty cool. I'd like to do something like that.'
I have a GoPro in the trunk of my streetcar.
I'm in the theater because of two plays: 'A Streetcar Named Desire' and 'Death of a Salesman.'
By the time I was four, I would walk around the corner and wait at a local streetcar stop, get on the streetcar with somebody who looked like they could be my mother and go to the end of the line.
We come to Selma to be renewed. We come to be inspired. We come to be reminded that we must do the work that justice and equality calls us to do.
When we tire of well-worn ways, we seek for new. This restless craving in the souls of men spurs them to climb, and to seek the mountain view.
To build my legacy and be that person I want to be, this is what it's going to take: to get on the road and travel. Let's do it that way.
I would really have liked to have gone to Broadway with 'A Streetcar Named Desire.' I was proud of that.
'Streetcar' is no longer about the moment at all. There is no Blanche DuBois anywhere; south, north, east or west. We don't have Blanche DuBois at the moment. But we have Willy Loman; everywhere we look we see Willy Loman. We are Willy Loman. We're on Facebook; we need to be known; we're selling all the time.