You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don't.
Sentiment: POSITIVE
Some tracks are with quartet and some tracks are with synthesizer.
Some songs are just like tattoos for your brain... you hear them and they're affixed to you.
There is a lot of melody and things that sound familiar in hundreds of songs.
I'm astounded by people who can listen to music when they write. I can only assume that they have multi-track brains, while mine is decidedly single.
It's really important to me that the songs not only stand out individually but work as a full body of work, too.
It is a process of discovery. It's being quiet enough and undisturbed enough for a period of time so that the songs can begin to sort of peek out, and you begin to have emotional experiences in a musical way.
Each song is a small universe to me. Each song has a story of its own. Each has a full life to express in order to be complete, so it often happens that the building to a big crescendo feels right in the recording or writing process.
Music is always occurring. It is just a matter of marketing, attention, and many other factors, that determines whether people will hear these songs or not.
Everything I do is collaborative. It's just my way. I'm really very interested in how the other musicians perceive the song.
It's always interesting - how do you actually convey thought through song? We're used to the convention on stage. In film, we used to be used to it, and now sometimes it works and sometimes it doesn't. You need to be fresh and really look at the material.
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