I like sparseness. There's something about that minimalist feel that can make something have an immediate impact and make it unique. I'll probably always work with that formula; I just don't know how.
Sentiment: POSITIVE
Well I don't feel sectarian against sparseness, although I sometimes get a little chippy about this. I resent the way that a certain notion of parsimony has become the norm for skilful literary writing.
I don't like rooms you never use or that are wasted space but I also like a sparseness and a cleanness.
I like really sparse electronics, lush arrangements, and interesting chord structures.
The ways in which things are superficially similar but also distinct is interesting to me.
I am completely attracted to the idea of simplicity, or at least removing things that seem unnecessary when trying to get an idea out there.
Minimalism has a connotation of being reductive, and not in the best way. 'Brevetist' is a better term. I'm trying to be as concise as possible and still getting across to the reader. When information is delivered in that way, it is very satisfying to me.
Simplicity is the ultimate sophistication.
I think 'Tron' is a good example of minimalism.
I've always liked simplicity.
As for minimalism, I don't care, don't care, don't care to repeat myself, repeat myself.