The goal is always to make a nice tableau painting with the voice. The more color I can find, the more shadow I can find - the goal is always to make more nuance and colors.
Sentiment: POSITIVE
I then realized that I could never be satisfied again with the mere natural charm of my voice, that I had to constantly paint when singing, melting all the colors, expressing reds and blacks that had to be less primary but bursting with subtly colored combinations.
I love the challenge of taking colors that are totally disparate and making them work together in an interesting way.
Manipulating shadows and tonality is like writing music or a poem.
The artist must ask you to think of the world in a different way, and sometimes it's a more abstract way; sometimes it's a completely different kind of colouring.
It's important for me to see as many colors in the character as possible.
I do not literally paint that table, but the emotion it produces upon me.
I wanted something where I could have the clearest and most unfiltered artistic and creative voice.
In art, there is no need for color; I see only light and shade. Give me a crayon, and I will paint your portrait.
Why do two colors, put one next to the other, sing? Can one really explain this? no. Just as one can never learn how to paint.
The artist who imagines that he puts his best into a portrait in order to produce something good, which will be a pleasure to the sitter and to himself, will have some bitter experiences.