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My biggest fear in writing 'Gossip Girl' was that the characters would sound like stereotypical rich, air-headed heiresses. These were my friends. They were smart and multifaceted. They had interests and passions. They wanted to become lawyers and doctors and writers and filmmakers.

I love 'Gossip Girl'! I still miss 'Veronica Mars,' though.

I enjoyed 'Gossip Girl' so much. I cannot tell you how impressed I am with the cast of that show. I was so intimidated doing that show because I thought, 'Oh my gosh, those people are so young and gorgeous, and I'm a million years old, and I need a spray tan, and I'm going to be wearing all these fabulous clothes.'

I feel like 'Gossip Girl' isn't really 'Gossip Girl' anymore when they're away at school because they don't go to NYU; they go to, like, Yale and Brown. New York City is just as much a character as anyone else in the books, and I was really sort of reluctant to show them off in their separate college worlds.

I loved 'The O.C.' and I totally watch 'Gossip Girl,' too!

You don't have to watch 'Gossip Girl' to have an attitude.

The nice thing about a series is you can end on cliffhangers all the time. You can be like, 'You know what? Here we go, this person just died, end of book.' And with the end of the series, you're very conscious of all the plotlines that were left hanging. There's a balance there to wrap those up but still leave it exciting.

Endings are really hard to do, and it's hard to do an ending where it's sort of collaborative with thousands and thousands of people, and to satisfy all those people is impossible.

I never read gossip press. I just read books. And I never switch on the TV anymore.