I wanted to write about the Korean War, but I had no entry into it that made the kind of sense it needs to make for a novelist.
Sentiment: NEGATIVE
With a book called 'Keeping Score,' I really did want to write a book about the Korean War, because I felt that it is the least understood war in the American cultural imagination. So I set out with the idea that Americans didn't know much about the Korean War and that I was going to try to fix a tiny bit of that.
Every writer has his writing technique - what he can and can't do to describe something like war or history. I'm not good at writing about those things, but I try because I feel it is necessary to write that kind of thing.
I always wrote - not about war, necessarily, but I always wrote stories. I tried to write while I was in Iraq. It's not really - I didn't do a very good job, and not about war.
I don't think I'd call myself a war writer, but I would probably say I'm a writer who has written about war.
What ultimately happened is that my country had a war. I think it would be extraordinary, as a writer, not to want to write about that.
To be a good reporter, writing about war, you have to write about the people. It's not about the tanks or the RPGs or military strategy. It's always about the effect war has on civilians, on society, and how it disrupts and destroys lives.
It was only after five years in the army, when I was having to do a very boring job in a very boring place, that I thought: 'Why not try writing a novel?' partly out of youthful arrogance and partly because there had been a long line of writers in my mother's family.
I thought that, with so much current attention focused on the topic of North Korea, I might share what I think are three books which cast a rare light on the elusive realm of North Korea.
I wrote a novel about the combat experiences I didn't have in Vietnam.
I was a war correspondent in Korea. I did a book on it: 'This is War.'