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I envision the script as a story in my mind, memorize the entire thing and have it play out. It helps me figure out where my character needs to go.

I read as many scripts as I can and just find stuff that I think is interesting, find stories that I think are worth telling.

I've been spoiled by this project. I was given the script and went in to read, realizing that this was a powerful story and one that wasn't told very often.

We did have a script, but it didn't consist of the routines and gags. It outlined the basic story idea and just a plan for us to follow. But when it came to each scene, we and the gagmen would work out ideas.

When I first read the script for 'A Little Chaos,' I just loved reading it, as it is a really lovely, accessible, contemporary period film.

When I first read the script a few years ago I thought it was one of the best written scripts I had ever read.

The first script I got was Narc and I really responded to it; it reminded me of a '70s type movie, I really liked the characters, I didn't anticipate the ending.

They sent me the script and I thought that there was something very appealing and funny about it. Also, I was familiar with Mike Myers' work in Saturday Night Live, but I did not know the extent to which he would make this creation.

I wish in my own mind I were more definite - that I was absolutely convinced I'd never direct someone else's script, but I keep reading scripts, because I might find something.