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I never say I have a preference for one medium as opposed to another.

Variety is very, very good. Going from medium to medium, if you get the chance to do it, from theater to television to film, which are all distinctly different, keeps me sharp. What works in one doesn't work in the other, and you have to be looking for the truth of the performance, whatever way that medium might demand.

It doesn't matter what medium I perform, I just love to perform in general, if it's good work.

I've enjoyed the singular focus of not going back and forth between the two mediums. It isn't about the screen size so much as film being where the stories I'm most interested in telling happen to be at.

I am primarily a writer of books, and I enjoy that. But I come to realize that a lot of people prefer a visual medium.

I have always just made things. I don't see what I make as being defined by a medium or aesthetic. It probably comes more from a fundamental restlessness, an attempt to create tools for questioning or understanding, and I have always been interested in using a wide spectrum of mediums to do this.

I like the fact that I'm involved in a career that gives me so many different mediums to perform in.

When you're doing something where you really like the material, it doesn't matter what medium it's in.

I'm more interested in the quality of the work than its medium.