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I say that I suffer from what Rosalind Krauss was calling the post-medium condition, where an artist essentially employs several mediums in order to bring to life whatever specific ideas that they have. For me it's always been that way.

I like to use light as a material, but my medium is actually perception. I want you to sense yourself sensing - to see yourself seeing.

When you're doing something where you really like the material, it doesn't matter what medium it's in.

I like the fact that I'm involved in a career that gives me so many different mediums to perform in.

I'm more interested in the quality of the work than its medium.

The medium is the message. This is merely to say that the personal and social consequences of any medium - that is, of any extension of ourselves - result from the new scale that is introduced into our affairs by each extension of ourselves, or by any new technology.

I think I have a basic sound aesthetic that is in most of what I do.

I enjoy all aspects of it, I don't have a preference for any medium. I think each of them has its attractions and I would hope they each inform the other in some way.

I feel that as artists - whatever your medium is - I feel that we're watching what goes on around us and we take what we don't see, or we don't hear, or we don't feel and we do something that speaks of it; more about it, for it, or against it - whatever our perspective is - that's what our job is.

The use of the term art medium is, to say the least, misleading, for it is the artist that creates a work of art not the medium. It is the artist in photography that gives form to content by a distillation of ideas, thought, experience, insight and understanding.